| Russian martial art training and kettlebell training | | | | blow, and then reverting to total bodily relaxation |
| involves elements of strength, flexibility and | | | | immediately after. In that way, strength and stamina |
| relaxation. Many would argue that speed and | | | | were maintained while the blow itself was imparted |
| technique should also be included, but given that you | | | | with the maximum possible strength of the whole |
| have trained in all three of these disciplines, then | | | | body. |
| speed will come naturally. Technique is immaterial: it is | | | | Flexibility is the true secret behind supreme martial art |
| related to what you do, not how you do it. | | | | power, and the one bodily attribute that is most |
| Training, on the other hand, is how you do what you | | | | ignored and misunderstood by the majority of martial |
| do. The what is irrelevant. It is the how that matters. | | | | art exponents. Russian martial art techniques make |
| A boxer cares not what a karate student does, but | | | | best use of supreme strength and absolute power |
| only what he himself does. A man or woman facing | | | | through the understanding of how to properly relax |
| opponents is not concerned with what others can | | | | between blows. The supreme power of a martial art |
| do, but only with they do themselves. It is not the | | | | punch is used through a total understanding of the |
| 'what' but the 'how' that matters, and the 'how' is | | | | levers of the body, the muscles that move them and |
| related to training, practice and knowledge. | | | | the relaxation that allows these muscles to exert |
| The training of Russian martial artists is designed to | | | | maximum power to the levers. |
| improved the 'how'. Russian martial art has no need | | | | A powerful punch is a rapid snap with maximum |
| of pre-orchestrated movements or katas as | | | | power and then total relaxation until the next punch. |
| Japanese and Chinese martial arts have. Much has | | | | Russians are trained in dynamic relaxation exercises in |
| been written about Russian martial arts and their | | | | all athletic training, and the fast and loose techniques |
| means of attack and self defence, a lot of which is | | | | they use are ideal for the rigors of absolute mastery |
| based on the popular view of the Russian Special | | | | in martial arts. |
| Forces. Most Special Forces can employ the | | | | Russian martial art training and kettlebell training is not |
| techniques used by their Russian counterparts, but it | | | | the theatrically disciplined art of the Chinese and |
| is the Russian methods of training that make the | | | | Japanese, but a technique designed for maximum |
| difference. | | | | power and effect in attack and not just self defence. |
| Pavel Tsatsouline, trainer to the Russian military and | | | | The use of the power of the human body can be |
| then the American Special Forces and other military | | | | maximized only by developing the supreme strength |
| personnel, teaches you the secrets of the | | | | possible through kettlebell exercise, and the flexibility |
| super-strong and of attaining supreme martial arts | | | | and relaxation techniques as taught by the master of |
| power. He does this through use of Russian | | | | the Russian martial art, Pavel Tsatsouline, master |
| kettlebells and the tension and relaxation techniques | | | | teacher of Russian and American Special Forces |
| used by the Cossacks who could slice a man from | | | | personnel. |
| shoulder to buttocks with only a light one handed | | | | For more information on Russian martial art mastery, |
| sabre. | | | | and the acquisition of supreme power and strength, |
| The Cossacks trained by standing in a lake or river | | | | check out Pete's web page Russian Power where |
| up to their waist and then slicing into the water with | | | | you will learn the Russian and Chinese secrets of |
| their sabres for hours on end. The secret was to be | | | | flexibility, strength and relaxation that can turn you |
| in total relaxation until the moment of strike when all | | | | into a hard hitting fighting ball of fury. |
| the power of the body was concentrated in the one | | | | |